Contents. Plot The episode opens with Turtle walking into a restaurant, greeting every female by name as he goes. When he meets up with the group, he tells Vince to sign a poster for Head On (Vince's new movie co-starring ).
When asked why, Turtle explains that it's for the girl who hooks the group up with all of their shoes. The group then engages in a discussion of how bad promo photos can sink an actor's career, until two extremely attractive females walk by and Turtle starts to harass them. After the girls leave, the group discusses whether or not they should attend their high school reunion back in, and their disapproval of Eric's on again / off again girlfriend Kristen. Next the guys head to the premiere of Head On, where Johnny 'Drama' tries to get out of the limo before Vince. As the guys walk up the red carpet and comment on the girls in attendance, Eric tells Turtle to go and make sure that is not sitting within ten rows of Vince. When Vince has a reporter take his picture with his brother Drama, the photographer can't place where he knows Drama from.
When Eric tells Vince to go take a picture with Alan, Vince is unsure of who that is, and Eric has to remind him that Alan is the man who financed Head On. While Vince takes the pictures, Ari starts harassing Eric to get Vince to read the script for Matterhorn, a buddy cop type movie set in. Ari promises court side tickets if Eric gets Vince to read the script. While they are talking, Turtle interrupts to tell 'E' that he's lined up a 'revenge fuck' who looks just like his ex, Kristen, and who's apparently told Turtle that she 'puts out'. As Turtle describes the girl, comes over and looks very annoyed, and then proceeds to aggressively quiz Eric on Vince's whereabouts.
We are left to assume that there was a relationship that went sour between Vince and Ali. After the premiere the guys head back to their house with some girls in tow for a pool party.
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The guys spend time trying to get with each girl. The next morning Drama and Turtle pester Eric with tales of how the girls they ended up with the night before performed in bed, and try to get Eric to talk about how his was. When Vince comes down, Eric asks Vince if he's read the script for Matterhorn yet. Vince says no, and asks E what he thought of it. When Eric says he thought it sucked, Vince says 'OK. I trust you', then explains how he never read the script for Head On and didn't know who the killer was until he saw the film the night before. The guys then take a trip to the studio to meet with the director for Matterhorn.
On the way, Turtle tells the guys about Arnold the rottweiler he is getting for Vince from Black Hack. As they walk into the studio, we learn that Drama is Vince's half-brother and that Vince and Turtle originally moved to to follow Johnny around. Just before they walk in, the guys exchange greetings with. When the guys get back home, they discuss the meeting with the director, and Ari calls to tell Vince that the director loved him and wants to sign him to do Matterhorn for $4 million. Vince asks Eric what he thinks, and E tells him he thinks it's time Vince read the script. While Vince struggles to read the script, the guys hit golf balls into the neighborhood, trying to hit the homes of other actors, such as. After a while the guys switch from golf to basketball while Vince finishes reading the script.
After reading it, he still has the same opinion, that is Eric was right and the script sucks but the $4 million would be sweet. When Ari calls, Vince tells him what Eric thinks of the script but Ari doesn't care. Vince, however, values Eric's opinion and tells Ari to talk to E about it (even though E wants to talk to Ari even less than Ari wants to talk to E). Ari decides to have dinner with Eric to discuss Vince's future. Vince likes this as now he won't always have to 'be in the middle of things'. The dog arrives but the guys are too afraid to take it out of the cage so they have Turtle dress up in full hockey gear as they open the cage from the second story of the house via a draw string.
At dinner Eric and Ari spar with verbal insults and discuss why Eric doesn't think that Vince should do Matterhorn. Eric threatens to slap Ari if he ever insults him again and we learn that two years prior Vince couldn't get a call back from Ari. After dinner Eric passes out watching, and Turtle and Drama wake him up to get ready to go to. Eric doesn't want to go so they tell him that his ex-girlfriend Kristen is sleeping with.
Eric believes them at first then realizes (thanks to Drama's overacting) that they are lying to him. Vince enters the room and takes Eric aside to find out why he threatened Ari and tells him he can't do that. Eric explains that Ari was being condescending (in particular deriding his former role as a manager at ), so Vince asks if Eric thinks he should fire Ari.
Eric sarcastically says yes and Vince begins to make the call. When Eric sees this, he stops him and Vince tells E he wants him to make his decisions.
From this point, Eric is now his unofficial manager. After this, Vince and E decide not to go to Vegas. Vince also wants to skip the reunion but Eric is looking forward to it and wants to go and convinces Vince go as well.
The next day, the guys are getting ready to head to the airport and Eric asks Turtle if he got the headsets. Turtle has no clue what E is talking about, and Eric berates him to go get them. After Turtle gets in the car, Vince asks Eric what that was about as he didn't ask for any headsets. Eric points at the car and says 'you also don't want to ride in a car that has that on it'. As Turtle drives off we see a bumper sticker on the back of the car that reads 'I ♥ Cock', as E reminds Drama that he's next. Ari calls again and Vince hands the phone to E. Eric answers and Ari asks for Vince.
E tells him Vince wants them to talk instead. Ari then tells him that took Matterhorn. When Eric breaks the word to Vince he says, 'I hope you know what you're doing, pizza boy.' Production The pilot was written by series creator and directed. On reading the script, Frankel was concerned that Ferrara was too young for the role of Turtle, Dillon was too old to play Drama, and Grenier was very unlike Wahlberg/Vince. Furthermore, Connolly was ambivalent about his part.
However, Frankel was impressed by the group once all together and felt that Connolly's sincerity boosted the show. Ellin's first version of the script had the show beginning at the movie premiere, with no-one liking Vince's acting but none willing to tell him. HBO executives rejected this version, and urged Ellin to make it more upbeat.
's entourage in this episode includes the real life Turtle, Eric, and Johnny. Reception The pilot was initially broadcast on July 18, 2004 in the United States on HBO. Phil Gallo of was critical of the episode, citing what he perceived as a lack of subtext and bland characters. However, he praised Piven's giving Ari Gold 'an intensity and a moral void that gets better with each episode', and foreshadowed what he saw as better writing by episode 3. Conversely, Tim Goodman of the cited the show's and characters' soullessness as reasons the show is entertaining. Ken Tucker of Entertainment Weekly gave the episode an A-, describing it as 'excellent, dirty fun', praising the casting, in particular Dillon and Piven. Frankel received a 2005 nomination for Outstanding Directing for a Comedy Series for his work on this episode.
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Entourage Pilot Script Pdf
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Enlightened is the best TV show ever made. Is that hyperbole? At the very least, it’s probably the best TV show you haven’t watched.
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Created by stars Laura Dern ( Big Little Lies, Inland Empire) and Mike White ( School of Rock, Orange County) and written entirely by White (literallyhe wrote every episode), the series follows Dern’s Amy Jellicoe, a self-destructive executive who has a very public breakdown in the pilot’s opening minutes and is subsequently fired. From there, she goes to a treatment center in Hawaii to get a new outlook on life and treat her depression/bipolar disorder, becomes a low-level data cruncher at Abaddon, the same corporation she was fired from, and eventually becomes a whistleblower to all the sins her company has committed. As a protagonist, Amy can be a tad frustrating at times, but as a viewer, you can’t help but root for her.
The pilot’s first shot does a ton to earn her sympathy. As she sits alone in a bathroom stall and sobs, two co-workers enter and discuss office gossip about her. There’s no question that this is her lowest point.
It also helps that this is a bluntly hilarious scene. Throughout the series, Amy has noble intentions, but the means through which she achieves them are less so.
She does morally questionable things. She can be self-centered and often puts her own wants above anyone else’s. She is the definition of a flawed character. But nevertheless, she is fascinating to watch. Even if you don’t agree with what she does, you empathize with her, and you want her to succeed, and you want her to stay better.
It’s a delicate balancing act that Laura Dern’s performance and Mike White’s writing nail completely. A show centered on Amy coping with and treating her mental illness while trying to help the world could be a great show, but what elevates Enlightened to that next level is its supporting cast.
Like Amy, the entire cast is filled with people who are broken in some way. Amy’s ex-husband Levi Callow (Luke Wilson) is a drug addict in varying states of recovery throughout the series; her coworker Tyler (Mike White) can best be described as shy, sad, and lonely; and her mother Helen (played by Dern’s real life mom Diane Ladd) seems icy and distant at first but has her own ghosts from the past, the greatest of which is that she blames herself for her husband’s death. White’s scripts treat these characters in revolutionary ways, and he often takes episode-long breaks from the series’ (and Amy’s) main storyline to delve deeper into the supporting casts’ inner lives, the best being season one’s “Consider Helen,” which is one of the finest half-hours of any series and which, in a just world, would have won every award there is. Although few people watched the show (its viewership hovered around 200,000 for the majority of its run), Enlightened is the definition of prestige TV. It’s meditative and often depressing but at the same time can be deeply human and hilarious.
Simply put, few shows even come near it in terms of character development and theme, and if you’re a fan of television or quality writing in general and haven’t seen Enlightened, you owe it to yourself to check it out.